Sunday, 25 July 2021

Review: Heathers

Hey readers!
It's time for my review of Heathers. 
"Heathers follows Veronica Sawyer, a high school “nobody” that dreams of becoming popular. Her call is finally answered when she’s accepted into the ‘Heathers’ clique, sitting at the top of the high school social pyramid. When Veronica attracts the attention of mysterious teen rebel Jason Dean, or JD for short, she’s lovestruck. But, as she begins to behave in order to fit in with the crowd, can Veronica remain true to herself. Shocking actions and testimonies await in Heathers, where it’s murder being a somebody."

I first saw Heathers in 2018 during its initial West End run at the Theatre Royal, Haymarket and thoroughly enjoyed it. Following the news that it would be revived at the exact same theatre this Summer, I jumped at the opportunity to see it again. In spite of what I had initially expected, the revival production of Heathers is even better than the original. The new cast have really pumped some new life into the show, and the production certainly feels very improved. The world has changed a great deal since the Heathers first stepped into the West End, but this is a very welcome return.

Heathers is set in 1989, and yet it feels as if the show could be taking place in the modern day. Whilst a little exaggerated at points, the characters and setting often feel very life-like, and the book, by Laurence O'Keefe and Kevin Murphy, does an excellent job at capturing the high school experience. Many teenagers across the globe have connected with Heathers on a very personal level, and this serves as a testament to the show's authenticity. Beyond this, the musical is a black comedy, and the writing does well to balance out the comedic elements of the narrative alongside darker plot points. There are some genuinely funny moments throughout, and yet the show lever loses sight of its more serious themes either. A number of really important topics are explored within Heathers, including bullying, teen suicide and school violence. Whilst they are masked by comedy, they open some interesting conversations and it's important to bring these issues to light. 


The music of Heathers is remarkable, and among my favourite musical scores of all time. The songs are predominantly of the rock genre, and there are some fantastic tunes throughout. I first listened to the Original Cast Album of Heathers in 2018, and I have yet to grow tired of the music. It was also interesting to hear the songs being performed by an entirely new cast, and to see them put their own spin on it. The lyrics also outstanding; they prove easy to relate with and are particularly skilled at conveying various emotions. A few highlights include 'Freeze Your Brain', 'Dead Girl Walking', 'Seventeen' and 'I Say No'. 

In the leading role of Veronica Sawyer is Christina Bennington, a character that was first originated in the West End by Carrie Hope Fletcher. Bennington was very different in her approach, and she really made the role her own. She plays the character as more quirky and innocent, which in turn made Veronica all the more likeable and easier to root for. Additionally, Bennington felt very believable as a high schooler, making the show feel more life-like. She also had a wonderful singing voice, giving a marvellous rendition of 'I Say No'. Playing opposite Bennington is Jordan Luke Gage, in the role of Jason 'J.D.' Dean. Gage too has a phenomenal singing voice, which was particularly evident during 'Freeze Your Brain', He also had excellent chemistry with Bennington, and their duet during 'Seventeen' proves to be one of overall highlights of the entire show. In the role of high school bully Heather Chandler, Jodie Steele has returned to the role after having served in the original cast. Three years later, Steele's performance seems even stronger than it was before. She had a real command of the stage, which really helped to give the character status. She is also a talented dancer, and gave an overall faultless performance. Special mentions must also be awarded to Bobbie Little and Frances Mayli McCann as Heather Duke and Heather McNamara respectively. Both performers were triple threats, demonstrating exceptional talents in acting, singing and dancing.

The choreography, by Gary Lloyd, is masterful and among the best I have seen in any production throughout the past year. The dance numbers were all first-class, and were a true delight to watch. In relation to the designs, both the costumes and lighting, by David Shields and Ben Cracknell respectively, were also astonishing. Throughout the show, they often worked in tandem with one another, with the spotlights being used to reflect the colour of the costumes. This was particularly clever, and showed just how effective lighting can be when used creatively. 

Now for my final verdict on Heathers. I give Heathers...


Heathers is the first musical I have given 5 stars to since 2019, showing just how spectacular this production truly is. Whilst I am aware it will not be to everyone's taste, it has clearly resonated with many theatregoers, including myself. Beyond this, the new cast are extraordinary, and they alone are worth going to see.

Think it should have got a higher rating? Agree with my rating? Think it should have got a lower rating? If so comment below.

Thanks for reading!

-The Basic Theatre Reviewer

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