Review: Love Never Dies

Hey readers!
It's time for my review of Love Never Dies.
The reason as to why I ended up seeing the US touring production of Love Never Dies is a result of a set of rather bizarre circumstances. I was visiting Kansas City, where I had tickets to see Rod Stewart and Cyndi Lauper perform in concert. However, Stewart cancelled several hours before the performance due to strep throat, leaving me dressed up with nowhere to go. I then had my heart set on seeing Love Never Dies, however I was unsure as to whether the performance would still go ahead as a result of the large amount of rain that occurred during that day, due to the fact that the venue it was playing at is an outdoor theatre. Luckily, the rain stopped half an hour before curtain and I made my way to the Starlight Theatre, arriving a total of five minutes before the show began. Thankfully, tickets were still available. I am aware that Love Never Dies has received a mixed reception since it first premiered in the West End in 2010, however I was personally pleasantly surprised. Additionally, I was quite taken with the Kansas City Starlight Theatre, which contains almost 8,000 seats. It was truly like no over venue.

Love Never Dies takes place 10 years after The Phantom of the Opera. After fleeing from the Paris Opera House, the Phantom has fled to New York, where he lives amongst the screaming joy rides and freak-shows of Coney Island. In this new electrically-charged world, he has finally found a place for his music to soar. The only thing missing is his life-long love Christine Daaé.


The strongest aspect of Love Never Dies is undoubtedly its score, which has been composed by Andrew Lloyd Webber with lyrics by Glenn Slater. There are dozens of tremendously powerful ballads throughout the show, with each and every song being equally as beautiful as it is stunning. Each musical number is faultlessly carried out by an excellent cast, all of whom have good operatic voices suited to this genre of music. Whilst I wouldn't name Andrew Lloyd Webber as my favourite composer, I simply cannot deny that the music which he creates is beyond phenomenal. My personal highlights from the score of Love Never Dies are 'Til I Hear You Sing', 'Once Upon Another Time' and 'The Beauty Underneath'.

In the leading role of The Phantom stars Bronson Norris Murphy, who excels in this role. It is clear that Murphy completely immerses himself into this role and is utterly perfect for The Phantom. His operative voice is superlative and his rendition of 'Til I Hear You Sing' was really something quite special. Appearing opposite Murphy as Christine Daaé is Meghan Pricerno, who has a background in opera singing. Picerno has created a good characterisation for Christine, making the changes that the character has gone through since The Phantom of the Opera crystal clear. As Raoul, Vicomte de Chagny, Sean Thompson is perfectly cast. Thompson truly captures the essence of a broken man who has lost his way, believably showing us Raoul's pain. In the role of Christine's child Gustave was Jake Heston Miller, who alternates the role wit h Christian Harmston. Miller may very well be one of the best child actors that I have ever witnessed perform onstage; he is a very skilled actor and a talented singer. In addition to this, he creates a flawless British accent. I am sure has a great career ahead of him!

The grand sets, created by Gabriela Tylesova, were utterly incredible. Filled with glistening lights, this astounding set design left me awestruck. As a result of this stunning set, 1907 Coney Island springs to life. The costumes, also designed by Gabriela Tylesova, are equally lavish and were perfectly matched to the time period of the early 1900's. The sound design, crafted by Mick Potter, was also very impressive. The Starlight Theatre is gigantic, and occasionally with such large theatres it can be difficult to correctly amplify the sound. However, every word was completely clear, which is accredited to Potter's marvellous sound design.

The featured star of Love Never Dies is, drum roll please... BRONSON NORRIS MURPHY!

Murphy's performance is captivating. He gives an excellent all-round performance and provides the audience with the perfect Phantom. I imagine it is quite a difficult role to play, but Murphy is faultless.

Now for my final verdict on Love Never Dies. I give Love Never Dies...

Whilst I understand Love Never Dies will not be everybody's cup of tea, I for one thoroughly enjoyed it. With a phenomenal score, a talented cast and some impressive designs, this was an easy four star rating.

Think it should have got a higher rating? Agree with my rating? Think it should have got a lower rating? If so comment below.

Thanks for reading!

-The Reviewer

Review: Once on This Island

Hey readers!
It's time for my review of Once on This Island.
Several good friends of mine have recommended Once on This Island to me over the past few months since it first opened. Whilst one friend claimed that it was the best production of a musical this past theatre season, another friend even went as far to say that it was currently the best show on all of Broadway. As a result of hearing such a positive reception, I became increasingly interested in watching Once on This Island.

Once on This Island is an extraordinary tale of a fearless younger dreamer named Ti Moune. After a gigantic storm rages through her village, a beacon of hope appears through a young man from the wealthy side of the island where she resides. An unexpected romance blossoms, but when their different cultures threaten to keep them apart Ti Moune sets out on a journey to be with the man that stole her heart. It is an utterly beautiful story combining love, hope, sacrifice, survival, social divides and  death. All of these factors made for a rather moving and heartbreaking story. I am sure that Once on This Island is a show that will leave many audience members in tears. However, whilst it is somewhat of a sad tale, the finale and overall message of the show leaves us with hope. Ti Moune did the impossible, and no matter what the outcome and destination was, her journey was inspirational. Additionally, I felt that the book, written by Lynn Ahrens, perfectly captured the essence of those who live on a small island in the fear of devastating hurricane. Despite all they go through with natural disasters, the islanders live on hope and are constantly grateful to be alive. Once on This Island really does leave its audience with several powerful messages.

The score to Once on This Island is as equally delightful as its storyline and accompanies the book well. The music was composed by Stephen Flaherty and the lyrics were written by Lynn Ahrens; a duo who have collaborated on other works such as Ragtime and Anastasia. It is particularly striking how different the score to Once on This Island is to their other works, proving that Aherns and Flaherty are exceedingly skilled at creating music for different genres of music. Additionally, this score is particularly good at telling the audience a story. In some musicals, songs are often simply used for a character to express his emotions, however in Once on This Island the score is used throughout the musical to allow the story to flow seamlessly with no unnecessary halts. 

The cast of Once on This Island are tremendous from beginning to end. All cast members are extremely talented and each and every one of them brings something special to the show. At the performance I was attending, Loren Lott had only recently assumed the leading role of Ti Moune after Original Broadway Cast Member Hailey Kilgore became injured. In this role, Loren Lott is faultless. In her characterisation, Lott perfectly encaptures both the innocence and vulnerability of Ti Moune. Additionally, Lott has beautiful voice.

Creatively, Once on This Island is one of the best directed pieces I have seen on Broadway since Natasha, Pierre and the Great Comet of 1812. Director Michael Arden has worked absolute wonders with this musical, creating the perfect atmosphere for this little village that many islanders inhabit. Arden also excels in ensuring smooth transitions between scenes, with each part of the show flowing seamlessly to the next. I was also quite taken with the stunning set design, created by Dane Laffrey. From the moment I stepped inside the Circle in the Square Theatre and set my eyes upon this magical set, I immediately felt immersed within this island. The bright and colourful costume designs, by Clint Ramos, are also excellent, particularly those used for the four Gods. 

The featured star of Once on This Island is, drum roll please... LOREN LOTT!

Despite only stepping into the role of Ti Moune a few weeks before I saw Once on This Island, Loren Lott was truly phenomenal. She's very well cast and has everything needed for the role down to a tee. She is undoubtedly the star of the show! 

Now for my final verdict on Once on This Island. I give Once on This Island...

Once on This Island is undeniably deserving of a four star rating. It is a moving story with a beautiful score and a talented cast in an exceedingly well directed production with phenomenal set and costume designs. 

Think it should have got a higher rating? Agree with my rating? Think it should have got a lower rating? If so comment below.

Thanks for reading!

-The Reviewer

Review: Gettin' the Band Back Together

Hey readers!
It's time for my review of Gettin' the Band Back Together. 
Gettin' the Band Back Together was a brand new musical which happened to be beginning previews just as I had arrived in New York City. I first stumbled across this musical whilst doing research into the current and upcoming shows on Broadway. I looked into the show's synopsis and watched a music video for the musical's opening number. It appeared to be a lot of fun, and that is why I decided to visit Gettin' the Band Back Together.

Gettin' the Band Back Together follows Mitch Papadopoulous, a man who used to dream about being the next Bon Jovi, but has since chosen security over stardom and left those daydreams behind for a day job. After being fired from his job on his 40th Birthday, Mitch is forced to move back to his home town Sayreville, New Jersey and live with his Mother. After doing so, he then faces a new threat: his high school arch nemesis who threatens to foreclose on their house. The only possible way for him to save his small-town home is by winning The Battle of the Bands. The book and storyline of Gettin' the Band Back Together was developed through a four-year improvisational rehearsal process by producer Ken Davenport and an improv group known as the Grundleshotz. This musical uses all original material, meaning all content was written purely for this show. There had not been a purely original musical on Broadway for over a year, so that particular aspect of this show is quite admirable. Whilst at times the book can be a little cheesy and often predictable, it still provides barrels of laughter and an overall feel-good factor. There were dozens of moments throughout the show which had the audience in hysterics, particularly the musical number 'Bart's Confession', which is excellently performed by Jay Klaitz. The journey that these characters take us on is rather enjoyable, and the show leaves its audience with the kind-hearted message of 'don't give up on your dreams'. If you have enjoyed this show, it will certainly leave you in good spirits.

The cast of Gettin' the Band Back Together are all tremendously talented. Each and every single cast member gives it their all, with each one of them bringing tonnes of energy to the show. In the leading role of Mitch Papadopoulos, Mitchell Jarvis excels. Jarvis is funny, believable, energetic and additionally has a strong voice well suited to this score. As Mitch's best friend Bart Vickers, Jay Klaitz provides hilarity throughout the show. Klaitz truly comes into his element during his solo of 'Bart's Confession', during which the audience were laughing with hysterics. Another cast member who particularly shines is Brandon Williams in the role of Mitch's arch-nemesis Tygen Billows. For this role, Williams has created a brilliant characterisation, delivering hilarious one-liners.

The set design, created by Derek McLane, is somewhat cartoonish which some may disapprove of, however I personally found that it worked well for this particular production. All of the sets used throughout the show are fun, which as stated before, is what Gettin' the Band Back Together is all about.

The featured star for Gettin' the Band Back Together is, drum roll please... MITCHELL JARVIS!

Mitchell Jarvis was the perfect leading man. He was full of charisma, had a strong voice and appeared to be highly believable in this role. Jarvis was perfect for the role of Mitch.

Now for my final verdict on Gettin' the Band Back Together. I give Gettin' the Band Back Together...

I had a little bit of difficulty deciding as to whether Gettin' the Band Back Together deserved three or four stars, but ultimately chose to award it four stars. The reason I made this decision is because I truly did enjoy myself, and at the end of the day, that's what theatre should be about.

Think it should have got a higher rating? Agree with my rating? Think it should have got a lower rating? If so comment below.

Thanks for reading!

-The Reviewer

Review: The Band's Visit

Hey readers!
It's time for my review of The Band's Visit.
Prior to The Band's Visit winning an astonishing number of 10 Tony Awards this Summer, it was a musical that I had heard very little about. As a result of the monumental amount of awards that The Band's Visit had won, I was rather interested in watching the show for myself during my trip to New York City.

The Band's Visit is about a meeting of two groups of strangers, brought together by a simple misunderstanding. Instead of ending up in the busy city of Petah Tikva in Israel, an Egyptian police band accidentally arrive in the small and isolated town of the, similarly-pronounced, Bet Hatikva where they are taken in by the locals for one night only. The storyline that The Band's Visit follows is uniquely simplistic; when breaking the story down, you can see that a minimal amount of events take place throughout the course of the play. The vast majority of modern musicals tend to have a more complex storyline, making The Band's Visit something quite special. Whilst The Band's Visit may not give you as much excitement as other musicals this season such as Mean Girls, SpongeBob SquarePants and Frozen, it is still a fascinating show to witness. I personally found it intriguing to watch the lives of those who live in the forgotten town of Bet Hativka, and how each and every one of them reacted differently to the Egyptian police band that suddenly appear on their doorsteps.

The storyline and book of The Band's Visit is well-accompanied by the Tony Award winning score, written by David Yazbek. I am familiar with Yazbek's previous work as a result of having seen the recent West End production of Dirty Rotten Scoundrels. Having said that, this score is different from both Yazbek's previous work and anything else that you can currently find on Broadway. The Middle Eastern influence within the music is rather unusual, and it is enjoyable to hear a score as new and fresh as this one is. My personal favourites from this charming score are 'Welcome to Nowhere' 'Omar Sharif', 'Haled's Song About Love' and 'Answer Me', with the latter being my overall highlight of the entirety of the show.

The cast of The Band's Visit are all exceedingly talented, but there are three particular cast members who I personally felt stole the show. In the leading role of Dina, Katrina Lenk gives an enchanting performance. Whenever Lenk entered the stage, all of my attention and focus was centred on her. She has a clear command of the stage throughout the play, and holds the audience's attention right up until the very end. Additionally, Lenk is also clearly a rather talented singer, delivering all of her musical numbers faultlessly. Ari'el Stachel, in the role of Haled, was yet another stand out cast member, providing a charming performance. Stachel truly comes into his element during the number 'Haled's Song About Love', which is a particular high point of the show. Finally, my other special mention in regards to the cast would go to Adam Kantor, who plays the character simply known as the 'Telephone Guy'. Kantor has limited stage time, as well as limited dialogue, but he has created a clear and intriguing characterisation. Additionally, his rendition of 'Answer Me' was truly something special.

On the creative side of The Band's Visit, both the lighting and sound designs are superlative. Tyler Micoleau's lighting design is highly effective throughout the show, particularly when creating the effect of the town of Bet Hatikva during the evening. Kai Harada's sound design is also excellent, with every instrument, sound effect and word sounding utterly crystal clear.

The featured star of The Band's Visit is, drum roll please... KATRINA LENK!

Katrina Lenk steals the show from beginning to end. Her performance as Dina is very engaging and she had the audience eating out of her palm right up until curtain call. Katrina Lenk is perfection in the role of Dina; she is not a force to be reckoned with.

Now for my final verdict on The Band's Visit. I give The Band's Visit...

Originally, I was having difficulty deciding as to whether The Band's Visit should be awarded three or four stars. However, after looking back at the play and admiring its originality, I decided that it is worthy of a four star rating.

Think it should have got a higher rating? Agree with my rating? Think it should have got a lower rating? If so comment below.

Thanks for reading!

-The Reviewer

Review: Carousel

Hey readers!
It's time for my review of Carousel.
Earlier this year, as I have done since 2016, I watched the dazzling Tony Awards ceremony during which all of the nominated shows gave stunning performances showcasing their talented casts. At the ceremony, Carousel performed the musical number 'Blow High, Blow Low', which was undoubtedly one of the best performances of the evening. After watching such a spell-binding performance, I was compelled to watch the entirety of the show whilst visiting New York City.

Set in a coastal New England town, Carousel tells the tale of Julie Jordan and Billy Bigelow who fall in love during one summer evening. The barker of Mrs. Mullin's fairground carousel, Billy is notorious for his womanising, yet he chooses to settle down with Julie despite many people claiming that the marriage would be a disaster. Temptations of money soon come to haunt Billy, causing him to commit actions which would soon cost him any hope of happiness. I personally find the story of Carousel to be utterly charming. Carousel's storyline has an old-fashioned simplicity to it; a unique and special trait that can only be found in older musicals. Courtships and friendships in musicals such as Carousel develop over an extended period of time, taking the audience on a long journey and allowing us to fully understand each and every character. In modern musicals, it can often be found that courtships and friendships develop over one musical number alone, so it is interesting to compare the differences between new musicals and revivals of old classics.

The score of Carousel, written by Rodgers and Hammerstein, is equally as delightful as its storyline. It is filled with old classics, which I am sure that many will recognise, such as 'You'll Never Walk Alone' which is often performed by association football clubs around the world. My personal favourites from this beautiful score include 'You're a Queer One, Julie Jordan', '(When I Marry) Mister Snow' and 'Soliloquy'. The lyrics that accompany the music are a particular favourite of mine. The lyrics are moving, witty and altogether beautifully written by lyrical genius Oscar Hammerstein II.

Leading the cast as Billy Bigelow, Joshua Henry is full of both fire and passion in this much acclaimed portrayal. Billy Bigelow is undoubtedly a rather flawed human being, however as a result of Henry's moving performance, I found it exceedingly difficult not to sympathise with the character and the struggles of life that he had to face. Henry's outstanding acting abilities are well matched with his exceptional singing voice, which is evidenced during the finale of Act One 'Soliloquy'. Playing opposite Henry is Jessie Mueller as Julie Jordan, who I had previously seen give a magnificent performance in the musical 'Waitress'. Mueller gives a rather heartwarming portrayal, creating a clear characterisation of the sweet, innocent and kind-hearted teenager that Julie is. For her performance as Julie Jordan's best friend Carrie Pipperidge, Lindsay Mendez recently won a Tony Award... and deservedly so! In her portrayal of Carrie, Mendez is faultless. She is convincing, has great comedic timing, a brilliant stage presence and a remarkable voice. Internationally acclaimed opera singer Renée Fleming is also a part of this cast, performing the role of Nettie Fowler. Fleming was magnificent and charmed the audience with an utterly beautiful voice.

As well as Lindsay Mendez winning the Tony Award for Best Featured Actress in a Musical, this production also won the Tony Award for Best Choreography. The choreography truly was spellbinding; the dance sequences are like nothing I had ever seen before. Justin Peck's choreography is worth the ticket price alone. Additionally, all of it is superbly carried by a magnificent ensemble.

The featured star of Carousel is, drum roll please... JOSHUA HENRY!

Joshua Henry is my featured star due to the captivating nature of his performance. He had complete control of the stage whenever he entered and I couldn't take my eyes off of him. Henry is currently giving one of the best performances on all of Broadway. With impeccable acting abilities and a faultless voice, Henry is the perfect leading man.

Now for my final verdict on Carousel. I give Carousel...

My decision to give Carousel four stars came easily. It is a stunning production, with a beautiful score, some brilliant performances and enchanting choreography!

Think it should have got a higher rating? Agree with my rating? Think it should have got a lower rating? If so comment below.

Thanks for reading!

-The Reviewer

Review: SpongeBob SquarePants

Hey readers!
It's time for my review of SpongeBob SquarePants.
As those who follow my Twitter feed will know, I'm currently on vacation and arrived in New York on the 3rd of August with the intention to see as many Broadway shows as possible. I had heard a lot of buzz surrounding SpongeBob SquarePants, but I was not sure as to whether it would be my cup of tea due to the fact that it may have been geared towards younger audience members. Despite feeling that way, I took the decision to listen to a portion of songs from the cast album. After thoroughly enjoying the music, I decided to give SpongeBob Squarepants a go!

In my eyes, the score of SpongeBob SquarePants is the shows strongest aspect. It has been composed by over 20 different artists and as a result it features a wide variety of different songs, the vast majority of which are exceptional. There are a dozen really memorable tunes within the score, many of which I can vividly remember a week after watching the show. My personal favourites would be 'Bikini Bottom Day' (composed by Jonathan Coulton), 'When the Going Gets Tough' (composed by T.I.), 'Just a Simple Sponge' (composed by Panic! at the Disco), Hero Is My Middle Name (composed by Cindy Lauper), 'I'm Not a Loser' (composed by They Might Be Giants) and 'Best Day Ever' (composed by Andy Paley and Tom Kenny). I implore everyone reading this review to have a listen to the Original Cast Recording, as it is definitely worth taking a look at.

Making his Broadway debut, Ethan Slater in the titular role of SpongeBob SquarePants is a triple threat. Slater has a very strong singing voice, he is an excellent gymnast and through phenomenal acting abilities he brings the 2D character into life flawlessly. I cannot speak highly enough of Slater's performance; he is remarkable! Gavin Lee, in the role of Squidward Q. Tentacles, is simply phenomenal. In the showstopper 'I'm Not a Loser', Lee proves himself to be an amazing tap dancer by pulling off an extraordinary tap routine with an extra pair of legs attached to his costume whilst continually making it looks effortless. Additionally, he also has a marvellous singing voice. Portraying Texas squirrel Sandy Cheeks is Christina Sajous, who only recently joined this production. Sajous excels in the role of Sandy and is a joy to watch throughout the show. Similar to Slater, she too is a triple threat. In the role of SpongeBob's best friend Patrick Star is Danny Skinner, who appears to be very well suited to the character. I particularly liked his duet with Ethan Slater entitled '(I Guess I) Miss You'. Finally, last but certainly not least, I feel that Wesley Taylor is more than deserving of a special mention for his terrific portrayal of 'Sheldon Plankton'. In his performance, Taylor makes the small organism of Plankton into a larger than life character. His rapping and dancing abilities are utterly outstanding.

The set design, which has been created by David Zinn, recently won a Tony Award and from the moment that you step inside the theatre it is clear as to why it received this accolade. It is exceedingly striking and unlike anything that I had ever seen before. As soon you take your seat in the theatre and you are surrounded by the set, a bright and lively atmosphere is immediately created by all the array of bright colours covering the theatre. The costume designs were also created by Zinn, and yet again those are also remarkable. Using outfits that some may wear in everyday life, such as jackets, boxing gloves & coats, Zinn has excelled in helping to bring these sea creatures to life. The lighting design is also rather impressive and helps to add to the show's atmosphere.

Whilst I still hold the belief that SpongeBob SquarePants is geared towards a younger audience (hence why I may not enjoy it as much as other shows), I still really enjoyed myself and would recommend it to all families.

The featured star of SpongeBob SquarePants is, drum roll please... ETHAN SLATER!

I thoroughly enjoyed all of the performances in SpongeBob SquarePants, but my choice of featured star has to go to Ethan Slater. Slater's performance has everything needed for the leading actor of a musical. A talented actor, singer, dancer and gymnast full of charisma; it hopefully won't be too long before Slater returns to Broadway. 

Now for my final verdict on SpongeBob SquarePants. I give SpongeBob SquarePants...

Despite feeling that this is definitely geared towards a much younger audience, this is still a delightful show with an excellent score, a phenomenal cast and some rather remarkable designs!

Think it should have got a higher rating? Agree with my rating? Think it should have got a lower rating? If so comment below.

Thanks for reading!

-The Reviewer

Review: Honey

Hey readers!
It's time for my review of Honey.
This week I had the pleasure of making my first visit to 'The Cockpit' in Marylebone to see the enchanting tale of Honey, written and directed by Tiffany Hosking.

A patchwork of life in the Welsh mountains, Honey is an intimate story that intricately weaves together the lives of a boy with autism who loves to dance, his mother and her tattoo-artist sister, and those that want to love them. I found the storyline of Honey to be exceedingly engaging. For 2 hours, from beginning to end, I was engrossed within the play. Hosking's writing is utterly gripping. The dynamics and changing relationships between the four characters makes for fascinating viewing. All four characters have subtle progressions at the play goes on, which was particularly interesting to observe. The story felt very true to life, and it seemed as if these characters could have easily been real people. Additionally, I was rather impressed with the way in which the play tackles the subject of autism. Its portrayal of a 22 year old suffering with severe autism was particularly moving, and the dedication shown by his family was inspiring.

As Anwen, the devoted Mother of Caron, Vey Straker gives a heartwarming portrayal. The character makes multiple sacrifices for her autistic son and is extremely dedicated to him, which I felt Straker perfectly encaptured in her performance. Additionally, she had an exceptional Welsh accent that didn't falter whatsoever throughout the course of the play. Callan Durrant, in the role of autistic son Caron, only speaks once throughout the duration of the play, however despite this Durrant creates an outstanding characterisation. His soliloquy which provides Caron with a voice to present his views on living life with autism was rather powerful. Portraying Caron's aunt, Celandine, is Jemma Lewis. Lewis has also created a wonderful characterisation for Celandine, the caring sister and aunt who is willing to give her all to help those around her. The warmth and kind-heartededness of Celandine is wonderfully performed. I felt that the scenes where Lewis truly shined was when Celandine would dance with her nephew. Choosing to dance like a bee with her nephew, real and heartwarming humanity was shown. I found that those particular scenes provided examples that you do not need to have dialogue to show connection, humanity and compassion. Jenni Lea Jones, as half-sister Armes, is also outstanding. Throughout the play, Jones makes it easy for the audience to have sympathy for her character, excellently showing her pain and struggles during her soliloquy's.

The lighting, which has been designed by Ben Hughes, is superlative and highly effective. I particularly liked the use of the spotlights, as well as the glowing honey pots which are used during moments of darkness.

The featured star of Honey is, drum roll please... JEMMA LEWIS!

Lewis's characterisation and portrayal of Celandine is excellent. The sequences in which the character of Celandine dances with her autistic nephew are charming and real signs of humanity are clearly shown. Jemma Lewis was utterly faultless!

Now for my final verdict on Honey. I give Honey...

Honey is undoubtedly worthy of a four star rating. The story is delightful, the cast are wonderful and the lighting design is remarkable!

Think it should have got a higher rating? Agree with my rating? Think it should have got a lower rating? If so comment below.

Thanks for reading!

-The Reviewer